Artist collective Superflex commissioned MOSSS to produce a video for their exhibition highlighting the painting, "The Parley," by Frederic Remington. For decades, it was believed to be a real painting. Superflex proved that it was not painted by Frederic Remington and is now experimenting with the value of the painting through this exhibition. MOSSS decided to shoot on a phantom flex at a thousand frames per second. Parallel to the history of the painting- the objective of this piece was to maintain the stillness of the painting and edit the sequence to make the viewer think it was real. It is currently exhibited at ASU Art Museum in Phoenix, AZ.